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Bethany Beardslee, Lynne Weber, sopranos; Jerry Kuderna, Robert Miller, pianos; tape and synthesized sound The four works on this recording span a period of a decade and are among the best of Milton Babbitt's output, tape and otherwise. Philomel (1964), for soprano, recorded soprano, and synthesized sound, is one of...
Keeril Makan: Letting Time Circle Through Us
Either/Or: Russell Greenberg, percussion; David Shively, cimbalom; Dan Lippel, acoustic guitar; Taka Kigawa, piano; Jennifer Choi, violin; John Popham, cello Keeril Makan (b 1972) composed his longest instrumental work to date, Letting Time Circle Through Us (2013), on commission for the New York City-based ensemble Either/Or, with whose musicians Makan...
American Contemporary Music Ensemble Clarice Jensen, Artistic Director and Alan Zimmerman, percussion “[T]he obligation—the morality, if you wish—of all the arts today is to intensify, alter perceptual awareness and, hence, consciousness. Awareness and consciousness of what? Of the real material world. Of the things we see and hear and taste...
Hiller, Baker, Melby: Computer Music
Helen Hamm, soprano; University of Illinois Contemporary Chamber Players; Jack McKenzie, Conductor; Contemporary Brass Quintet: Elin Frazier, trumpet; Daniel Orlock, trumpet; Edward Curenton, horn; Robert Moore, trombone; Jonathan Dornblum, tuba; Roman Pawlowski, ConductorLejaren Hiller writes:“Much nonsense has been written about computers ‘thinking’ and ‘creating.’ After all, a computer is really...
Eric Richards: The Bells Themselves
Alan Zimmerman, cowbells; Kay Stonefelt, gyils, vibraphones, and tingsha; David Keck, bass-baritone; Paul Schiavo, oboe; Greg Purnhagen, baritone; Paul Marquardt, piano; Molly Paccione, clarinet; Eric Richards, whistler Few composers today explore so poetic and visionary a musical landscape as did Eric Richards (1935-2019). Richards composed, in his own unassuming way,...