Your search for "john hollenbeck" revealed the following:
David Liebman, tenor saxophone; Blue Ellery Eskelin, tenor saxophone; Rick Dimuzio, tenor saxophone; John Hollenbeck, drums, percussion, autoharp, laughter samples; Theo Bleckmann, voice; Ben Monder, guitar; Ray Anderson, David Taylor, Tim Sessions, trombones While drummer/composer John Hollenbeck chose to title his debut recording No Images, what becomes clear quickly is...
John Hollenbeck: The Claudia Quintet
John Hollenback-drums, percussion, composition; Drew Gress-acoustic bass; Matt Moran-vibraphone, percussion; Ted Reichman-accordion; Chris Speed-clarinet, tenor saxophoneThis title, originally issued on the CRI label, is now available as a burn-on-demand CD (CD-R) or download in MP3/320, FLAC or WAV formats. CD-Rs come in a protective sleeve; no print booklet or jewel...
Quartet Lucy: John Hollenbeck, drums, percussion, piano, composition, berimbau; Theo Bleckmann, voice, piano; Dan Willis, English horn, tenor sax, soprano sax, flute; Skuli Sverrison, electric bass, banjo sexto; Jonas Tauber, cello This title, originally issued on the CRI label, is now available for order from New World Records as an...
Matt Moran, vibraphone; Adam Good, guitar, E-bow; John Hollenbeck, drums, percussion, bells, melodica; Oscar Noriega, alto saxophone, bass clarinetIt’s somehow fitting that the first release in CRI’s new jazz series should be dedicated to the music of maverick American composer Charles Ives. As the label is opening up its definition...
Scott Fields, electric guitar; Matthias Schubert, tenor saxophone; Scott Roller, cello; John Hollenbeck, percussion Scott Fields' (b 1952) Samuel, the second album of compositions based on Beckett's plays, follows 2007's highly acclaimed Beckett. One could argue though that Fields's compositions are in fact closer to the original texts than most...
Music for the Viola: A Twentieth Century Anthology, Vol. 2
his title from the CRI LP back catalog has been carefully transferred from the original master tape, and is now available from New World Records as an on-demand CD (CD-R). It can also be downloaded in MP3/320, FLAC and/or WAV format(s). We have preserved the original CRI LP catalog number...
Don't Give the Name a Bad Place
Types and Stereotypes in American Musical Theater, 1870 - 1900 Max Morath; Danny Barker; Clifford Jackson; Dick Hyman, piano and conductor In this time of charged debate about immigration and the concomitant stereotyping of minorities, this collection of fourteen songs drawn from musicals and minstrel shows reminds us that the...
Thomson/Bowlesl/Hoiby/ Hundley/Musto/Klein: Songs
William Sharp, Baritone Steven Blier, piano American art song has traveled a long way from the parlors of 19th-century America. The turn of this century brought its adolescent rebellion in the iconoclastic hands of Charles Ives, followed by an impressive, if somewhat retrospective, era heralded by such composers as Bacon,...
Works by Michelle Ekizian & Louis Karchin
The Group for Contemporary Music, H. Sollberger; Andrea Cawelti, soprano, Benjamin Hudson, violin Michelle Ekizian (b 1956) and Louis Karchin (b 1951) represent a generation of American composers that has seen postwar American serialism enriched by other compositional approaches, both new and old. The process of stylistic synthesis and individualization,...
Salvatore Martirano: Mass/Donald Martino: Seven Pious Pieces
The Ineluctable Modality/Edwin London; John Oliver Chorale/John Oliver This collection of two tonal works by composers known for their non-tonal compositional style is a fine example of contemporary approaches to sacred choral music. Salvatore Martirano’s Mass is a setting of a traditional Latin Mass whilst Donald Martino’s Seven Pious Pieces...