Your search for "priscilla mclean" revealed the following:
Priscilla and Barton McLean: Electronic Music
Priscilla McLean; Barton McLean, electronics “My wife and I have found the experience of actively composing in the same household interesting and exciting.To the extent that any two composers can get along together, we do,despite the obvious differences in our compositional styles. One can imagine the problems—two composers and one...
The McLean Mix and the Golden Age of Electronic Music
Barton McLean, Priscilla McLean, electronics“The Golden Age of Electronic Music” refers to the period during the seventies when analog synthesizers were at their most powerful, and many fascinating works were being created using these with multitrack reel-to-reel tape recorders, noise reducing equipment, analog processors, and large mixers. The McLeans worked...
Barton McLean: Forgotten Shadows
Keith Notrab, percussion; Linda Greene, flute; E. Michael Richards, clarinet; Barton McLean, keyboards; Barbara Dechario, harp; Hilda Allen, narrator; Victoria Green, narrator; Charles Bently, narrator; Priscilla McLean, soprano, music box; Elisha Pantileo, voice; Daniel Pantileo, voice; Children of Petersburgh Cincinnatus recorded in play; Thomas Elkin, piano; "Big Mike" Eaton, fiddle;...
Albert Regni, saxophone; University of Texas Percussion Ensemble (Bruce Radek, Mark Singer, Steve Harris, Joe Clark); George Frock, conductorIn Dimensions III and IV for saxophone and tape. Barton McLean has blended the contrasting images of live and taped sounds, first by using saxophone sound events as tape sources, albeit modified...
McLean / Eakin / Hamilton / Hutcheson: Piano Works
David Burge, piano; Lois Svard Burge, pianoBarton McLean writes:“The basic challenge to me as a composer is to be able to strip from my work the artificialities of traditional musical syntax such as discrete steps in pitch and rhythm (12 notes to the octave, meters) and to plug in to...