Electronic Pioneers
Liner Notes   Cat. No. NWCRL356     Release Date: 2010-12-15
The music on this record was produced at the original Columbia University Tape Music Studio and its successor, the Columbia-Princeton Electronic Music Center, and at the University of Illinois Electronic Music Studio. It includes some of the earliest electronic music released on commercial records, and is reissued by CRI after its deletion on the Son Nova and Heliodor labels. The tapes used in this reissue are all freshly mixed from the original materials.

Three fundamental types of electronic music are represented: (1) tape music composed from materials created from 'natural' (concrete) sounds such as gongs, voices, and instruments; (2) tape music composed from sounds which were generated by electronic instruments such as audio oscillators and manipulated by diverse processing devices; (3) tape music composed from mixtures of concrete and electronic sound sources.

In all of the compositions, the composers employed the customary techniques of manipulating basic source-sounds recorded on magnetic tape. For example, complex sounds were constructed by splicing together short pieces of tape cut from recordings of various basic sounds. The ear perceives a total impression of complexity without being able to distinguish each of the simple components. This mosaic-like technique, which demands considerable patience on the part of the composer, was, in the early days of tape music sometimes regarded as sufficient to the completion of a tape composition.

In these works, however, the composers found it compositionally desirable to further process basic sound sources by way of semi-automatic devices. For example, tape recorders and associated equipment were used to develop continuous patterns of sound, usually characterized by certain rhythmic rigidity, but nevertheless useful. Between the extremes of handicraft and machine work, the composers used a variety of other specialized techniques, made possible by the flexibility of tape and the versatility of electronic equipment. For example, varying speed was used to produce different pitches and timbres; filtering was used to suppress some of the timbral characteristics of a given sound; reverberation to let the echo add color, liveliness, and a sense of spaciousness.

This title from the CRI LP back catalog has been carefully transferred from the original master tape, and is now available from New World Records as an on-demand CD (CD-R). It can also be downloaded in MP3/320, FLAC and/or WAV format(s).

We have preserved the original CRI LP catalog number for this title, preceded by the prefix NWCRL, to distinguish previously unavailable back catalog titles from those later reissued by CRI on compact disc.

***Please note that the newly-digitized CRI LP titles are priced at $12.99 (multiples excepted) and are not included in any of the special offers.***

Various Artists

Electronic Pioneers

MP3/320 $9.99
FLAC $9.99
WAV $9.99
CD $12.99

Track Listing

Electronic Study No. 2
Mario Davidovsky
Linear Contrasts
Vladimir Ussachevsky
Electronic Music No. 1
BÌ_lent Arel
Lemon Drops
Kenneth Gaburo
For Harry
Kenneth Gaburo
Vladimir Ussachevsky
Music for a Sacred Service: Prelude
BÌ_lent Arel
Music for a Sacred Service: Postlude
BÌ_lent Arel