Columbia-Princeton Electronic Music Center 10th Anniversary
Liner Notes   Cat. No. NWCRL268     Release Date: 2010-09-15

Group for Contemporary Music; Charles Wuorinen, Conductor; Bethany Beardslee, soprano; Raymond DesRoches, percussion; Claire Heldrich, percussion; Richard Fitz, percussion; Howard van Hyning, percussion; Donald Marcone, percussion; Harvey Sollberger, Conductor

The Columbia-Princeton Electronic Music Center officially came into existence on February 20, 1959. This was the starting date of a fve year grant from the Rockefeller Foundation, which made available a total of $175,000 in response to a proposal by Columbia and Princeton Universities to establish working studio facilities. They were to be used by interested resident and invited composers to work in electronic music, a term that was assumed to include tape music and musique concrète. Working facilities were to include "an adequately equipped studio, the necessary technical assistance, and the means to initiate such programs of investigation as are necessary to facilitate the task of composers desiring to compose with the expanded sound resources available on magnetic tape or needed to be built up through sound synthesis." It was agreed that the main new studio would be housed at Columbia University, where the original Experimental Tape Studio was already housed, as it seemed advantageous to maintain such a studio in the metropolitan area.

The Center started to function fully in the year 1960 and accordingly, celebrated its tenth anniversary in the year 1970. By then the Center had expanded to include three nearly identical studios at Columbia University, one located in McMillin Theater on the main campus, and two in the Prentis Building, at 632 West 125th Street in Manhattan. At the latter address a fourth studio continued to house the Mark II RCA Sound Synthesizer. A laboratory for designing, building and maintaining the studio equipment was also in its tenth year of existence under the supervision of Peter Mauzey.

A fifth studio, similar in layout to the three-studio complex at Columbia, was installed in the Woolworth Music Building on the Princeton University campus. (Several years prior to this, the Princeton Music Department had begun a vigorous program of investigation into Computer Music Analysis and Computer Sound Synthesis.)

The first public concert of works produced with the new facilities was given May 9th, 1961, and repeated the following day.

This title from the CRI LP back catalog has been carefully transferred from the original master tape, and is now available from New World Records as an on-demand CD (CD-R). It can also be downloaded in MP3/320, FLAC and/or WAV format(s).

We have preserved the original CRI LP catalog number for this title, preceded by the prefix NWCRL, to distinguish previously unavailable back catalog titles from those later reissued by CRI on compact disc.

***Please note that the newly-digitized CRI LP titles are priced at $12.99 (multiples excepted) and are not included in any of the special offers.***

Various Artists

Columbia-Princeton Electronic Music Center 10th Anniversary

MP3/320 $9.99
FLAC $9.99
WAV $9.99
CD $12.99

Track Listing

Edgard Var̬se
Theater Piece No. 2: In the Beginning
Otto Luening
Vision and Prayer
Milton Babbitt
Computer Piece No. 1
Vladimir Ussachevsky
Two Sketches For A Computer Piece: Sketch 1
Vladimir Ussachevsky
Two Sketches For A Computer Piece: Sketch 2
Vladimir Ussachevsky
Pril Smiley
The Transformation of Ani
Alice Shields
Stereo Electronic Music No. 2
BÌ_lent Arel
Synchronisms No. 5
Mario Davidovsky