Your search for "james tenney" revealed the following:
Works for Violin & Electronics by Eric Chasalow, Michael Gatonska, Michael Harrison, Mari Kimura, Hannah Lash, & Eric Moe Mari Kimura, violin Mari Kimura's career is a measure of how violin virtuosity has changed over the last few centuries, and particularly in the last fifty years. By the middle of...
Double Edge: Edmund Niemann & Nurit Tilles, duo-pianists Double EdgeThe name connotes a two-sided razor-sharp knife, poised at the brink of the unknown, slicing through the mediocre and the derivative, seeking the best of the new. When pianists Edmund Niemann and Nurit Tilles first met in 1978, they certainly had...
ensemble 0: Stéphane & Julien Garin, percussion; Talea Ensemble: James Baker, conductor; Ensemble Dedalus: Didier Aschour, guitar and artistic direction I’m just so happy that this album is coming out. I wouldn’t say it’s the best thing I’m ever going to make, but it certainly is the best thing I’ve...
Robert Black, bass John McDonald, piano In the twentieth century, a series of instruments and ensembles have found their repertoire expanding exponentially, and their place on the classical stage suddenly front and center, instead of accompanying from the wings. The contrabass and viola were the last of the string instruments...
Malcolm Goldstein: because a circle is not enough: music for bowed string instruments
Malcolm Goldstein, violin; Jean René, viola; Émilie Girard-Charest, cello; Nicolas Caloia, contrabass music for bowed string instruments consists mostly of music composed by Malcolm Goldstein (b. 1936) between 2018 and 2019 while living in Montréal, Québec. The impulse to compose this series came from Goldstein’s experience as a teacher and...
Sarah Hennies: Spectral Malsconcities
Bearthoven: Karl Larson, piano; Pat Swoboda, bass; Matt Evans, percussion Bent Duo: David Friend, piano; Bill Solomon, percussion In modern experimental music, and especially among a number of musician-composers emerging in America during the Sixties, a fixation on process and awareness became a structural hallmark, exploring the gradual change of...
Ingram Marshall: IKON and Other Early Works
This CD comprises the text-sound works (1974-1980) on which Ingram Marshall concentrated throughout the seventies and falls into two parts: the works from the Fragility Cycles period (Cries Upon the Mountains, SUNG, Sibelius in His Radio Corner, and IKON) and the earlier works (Cortez, Weather Report, and The Emperor's Birthday)....
Kenneth Gaburo: Five Works for Voices, Instruments and Electronics
Thomas Howell, piccolo; James Fulkerson, bass trombone; Thomas Fredrickson, double bass; Barbara Dalheim, voice; Kenneth Gaburo, conductor; Walden String Quartet; Jack Logan, trumpet; New Music Choral Ensemble; Linda Vickerman, Elinor Barron, Philip Larson, vocals Kenneth Gaburo (1926-1993) composed works for instruments, voices, electronics, multi-media, theater, and a variety of other...
The League of Automatic Music Composers 1978-1983
John Bischoff, Jim Horton, Tim Perkis, David Behrman, Paul DeMarinis, Rich Gold The League of Automatic Music Composers was a band/collective of electronic music experimentalists active in the San Francisco Bay Area between 1977 and 1983. Widely regarded as the first musicians to incorporate the newly available microcomputers of the...
New Millennium Ensemble: Marianne Gythfeldt, clarinet; Gregory Hesselink, cello; Tara Helen O'Connor, flute; Sunghae Anna Lim, violin; John Ferrari, percussion; Margaret Kampmeier, piano; Mary Nessinger, mezzo-soprano We have borrowed H.C.E., (Here Comes Everybody) from John Cage, who borrowed it from James Joyce in Finnegan's Wake. For Cage, the words symbolized...