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John Bischoff (b 1949) is an early pioneer of live computer music. He was a founding member of the League of Automatic Music Composers (1978), considered to be the world’s first Computer Network Band. His long experience teaching music theory, harmony, and counterpoint is evident in his work: In the...
Peter Garland: Waves Breaking on Rocks
Aki Takahashi, piano; Ari Streisfeld, violin (track 5)/ John Duykers, tenor; Santa Fe New Music: David Felberg, Ikuko Kanda, violin; James Shields,bass clarinet; John Marchiando, trumpet; Lynn Gorman, harp; Madeline Williamson, piano; Jeff Cornelius, Angela Gabriel, Jim Goulden, and David Tolen, percussion; John Kennedy, conductor Peter Garland (b 1952) studied...
Michael Byron: Dreamers of Pearl
Joseph Kubera, piano Michael Byron (b 1953) was a pupil of James Tenney, and later, of Richard Teitelbaum. The body of music he has composed over the past thirty years has been harmonically rich, rhythmically detailed, and increasingly virtuosic. Dreamers of Pearl (2004-05) evinces a sensitivity for the sound of...
David Rosenboom: How Much Better If Plymouth Rock Had Landed on the Pilgrims
David Rosenboom (b 1947) has been widely acclaimed as an innovator in American experimental music since the 1960s. Although much of his work has been collaborative, virtually none of his large-scale collaborative works has hitherto been documented on record. How Much Better If Plymouth Rock Had Landed on the Pilgrims...
Ghost Ensemble: Margaret Lancaster, flute; Sky Macklay, oboe; Ben Richter, accordion; Chris Nappi, percussion; Lucia Helen Stavros, harp; Martine Thomas, viola; Tyler J. Borden, violoncello; James Ilgenfritz, contrabass; Kyle Motl, contrabass; Carl Bettendorf, conductor Rewild is an effort to make visceral the relationship between our own lives and the manifold periodicities...
Elizabeth Brown and Robert Carl, shakuhachi; Ryan Hare, bassoon; Aleksander Sternfeld-Dunn, laptop; Katie Kennedy, cello; Bill Solomon, vibraphone; Sayun Chang, percussion Robert Carl (b 1954) has long been interested in Japanese music and culture, and in the spring of 2007 he received a grant from the Asian Cultural Council to...
David Tudor, piano; Terry Jennings, saxophone; Edward Fields, narration; Fahrad Machkat, violin; Robert Block; prepared violin; Nicholas Roussakis, underwater clarinet; Harold Budd, Buchla Electronic Music System; Charles Oreña, soprano sax This CD reissue combines two LPs from the Advance label－Richard Maxfield's Electronic Music and Harold Budd's The Oak of the...
Kyle Gann: Nude Rolling Down an Escalator
"Some of the rhythms developed through the present acoustical investigation could not be played by any living performer; but these highly engrossing rhythmical complexes could easily be cut on a player-piano roll. This would give a real reason for writing music specially for player-piano..." —Henry Cowell Like many composers...
Michael Pisaro-Liu: Radiolarians
Though richly varied, Michael Pisaro-Liu’s (b.1961) works are linked through their philosophical and ethical concern for the interaction between music and its sounding environment, their openness to the creative contributions of performers, and their capacity for making felt our belonging to and participation in a world of continuous and often...
Elliot Simpson, Chaz Underriner, Cristián Alvear, Vicente Araya, guitars; Brian Parks, virginal; Colleen Potter Thorburn, harp The immersive sonic textures that characterize Michael Winter's (b 1980) music are crafted from comprehensive lists of data, with each composition encompassing a musical question that is addressed algorithmically. A performance lasts for as...